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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Punch, wife of Cullabaa, Broken Bay tribe
Punch, wife of Cullabaa, Broken Bay tribe
Punch, wife of Cullabaa, Broken Bay tribe

Punch, wife of Cullabaa, Broken Bay tribe, 1836

William Fernyhough
Portrait, lithograph on paper

Collection: National Portrait Gallery
Gift of Dr Robert Edwards AO 1999
Donated through the Australian Government's Cultural Gifts Program

Professor Mandyam Srinivasan

Brains trust

About Face article

Eminent doctors and scientists have for more than a century consistently caused our nation to punch far above her weight.

Phil (Phil May)
Phil (Phil May)
Phil (Phil May)

Phil (Phil May), 1895

Sir Leslie Ward, Vanity Fair Magazine
Portrait, chromolithograph on paper

Gift of Mr Ronald Walker 2001

The Sculling Match at Sydney for the Championship of the World
The Sculling Match at Sydney for the Championship of the World
The Sculling Match at Sydney for the Championship of the World

The Sculling Match at Sydney for the Championship of the World, 1877

an unknown artist, The Australasian Sketcher
Portrait, wood engraving on paper

Purchased 2015

Ayman Kaake

Ayman Kaake

Vox pops

This photo is a self portrait. So this is me. So you can see the eye resemblance. So, and this photo is inspired by my friends, my workplace.

Bungaree, late chief of the Broken Bay tribe, Sydney

Heads of the People

A Portrait of Colonial Australia
Previous exhibition, 2000

For Tom Roberts - Australia's best nineteenth-century portrait painter - neither a proto-national portrait gallery nor more popular collections of portrait heads, were sufficient public celebrations for the notables of Australian history

Mungo MacCallum, press gallery cricket
Mungo MacCallum, press gallery cricket
Mungo MacCallum, press gallery cricket

Mungo MacCallum, press gallery cricket, 1973

Frank Hinder
Portrait, fibre-tipped pen on paper

Collection: National Portrait Gallery
Gift of Enid Hawkins 2003
Donated through the Australian Government's Cultural Gifts Program

Barton and Watson
Barton and Watson
Barton and Watson

Barton and Watson, 1902

G. H. Dancey
Portrait, pen and ink on paper

Collection: National Portrait Gallery
Purchased 2012

Ned Kelly death mask

The Waxworks

General content

Waxworks were among the various types of entertainment venue to emerge in Australian cities in the mid-nineteenth century. 

Nicholas Chevalier
Nicholas Chevalier
Nicholas Chevalier

Nicholas Chevalier, c. 1867

Johnstone O'Shannessy & Co
Portrait, albumen photograph on carte de visite

Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009

The Seekers reunite 50 years on
The Seekers reunite 50 years on
The Seekers reunite 50 years on

The Seekers reunite 50 years on, 2011

Helen Edwards
Portrait, synthetic polymer on linen

Gift of Judith Durham, Athol Guy, Keith Potger and Bruce Woodley 2012. Donated through the Australian Government's Cultural Gifts Program.

Prince William of Wales, by Mario Testino, 2003 publ. September 2003.
Credit: Mario Testino

Vanity Fair Portraits

Photographs 1913-2008
Previous exhibition, 2009

Vanity Fair Portraits traces the birth and evolution of photographic portraiture through the archives of Vanity Fair magazine.

Cate Blanchett

Australians in Hollywood

Previous exhibition, 2003

Although perceived to be a recent phenomenon, the 'Aussie invasion' of Hollywood can actually be traced as far back as the early 1900s

Frame from Self portrait, 2008

I walk the line

Magazine article by Michael Desmond, 2009

Bruce Petty's animated self portrait captures a life's journey compressed into a few minutes.

Ned Kelly death mask

Sideshow Alley

Infamy, the macabre & the portrait
Previous exhibition, 2015

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

A Goldfields Member

Showing character

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

Self portrait

Expect the unexpected

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.

Portrait of Private Edward Lello 1915 by Darge Photographic Company

Final frame

Magazine article by Karl James, 2016

Karl James reflects on soldier portraiture during the Great War.

The girls, 2017 by Tamara Dean

Snap decisions

Magazine article by Robert Cook, 2018

NPPP judge Robert Cook provides irreverent insight into this year’s fare, and having to be a bit judgemental.

NPPP finalists

20 20

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.

Madame Sibly, Phrenologist and Mesmerist

Sibly irresistible

Magazine article by Alexandra Roginski, 2019

Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.

Mick Jagger, Madonna and Tony Curtis, 1997

The Vanity model

Magazine article by David Friend, 2009

Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.

The Sands Brothers

Seeing stars

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores photographic depictions of Aboriginal sportsmen including Lionel Rose, Dave Sands, Jerry Jerome and Douglas Nicholls.

20/20 launch speech

About Face article

Dr Helen Nugent AO, Chairman, National Portrait Gallery at the opening of 20/20: Celebrating twenty years with twenty new portrait commissions.

Nicholas Harding, 2016 Mark Mohell

Nicholas Harding

Explore The Popular Pet Show

Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality. 

The Triumph of Death, c. 1562 by Pieter Bruegel the Elder

The Black Death

About Face article

The best horror stories are real. A flea sinks its proboscis into the skin of a sick black rat, feeds on its blood, and ingests lethally multiplying bacteria.

The Right Honourable Sir Ninian Stephen KGAK GCMG GCVO KBE QC, 2006 by Rick Amor

Prima facie

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay
General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Christmas Island

About Face article

This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency